Afropop Worldwide

Funk is the personal favorite of many music lovers. In this panoramic history of the grooviest of genres, we hear track after track of absolute boogie-down classics. Everything from Sly and the Family Stone to James Brown, with a few stops to hear legends like the Meters, Kool and the Gang, and Parliament. We’ll also hear the great Bobby Byrd explain the rhythmic motor behind the JB’s, and Georges Clinton talk about the roots of his funk. Produced by Ned Sublette APWW #124

Ghazi and Boom.Diwan with Arturo O’Farrill is about as unlikely a group as you could imagine. Ghazi Al-Mulaifi is a rocking guitar player and an ethnomusicologist who studies the music of Arabian Gulf pearl divers, among them, his own ancestors. Boom.Diwan is an ensemble based around the Kuwaiti percussionists who preserve the vanishing art of pearl diving music. How they came together with Arturo O’Farrill, leader of New York’s Afro Latin Jazz Orchestra is a story for the ages. This podcast tells that story and samples the astounding music that resulted. Produced by Banning Eyre. PA 032

New Orleans, Louisiana is home to some of America's greatest musical traditions, and plays an outsized influence on the evolution of everything from jazz through to r&b, rock and funk. Today, the city is still legendary for its second line brass bands and brightly costumed Mardi Gras Indians. But if you've rolled through New Orleans on pretty much any night in the last 30 years, you've probably heard another sound—the clattering, booming, hip-shaking, chant-heavy roll of bounce, a form of hip-hop music, dance and culture unique to the Crescent City. Pulling from the national mainstream but remaking it the way that only New Orleans can, bounce has become a sonic touchstone for an entire generation of residents. For this Hip Deep edition, Afropop digs into the close-knit scene, talking to dancers, producers, MCs, and managers from over 30 years of bounce, all to explore the beat that drives New Orleans—and to find out what it means to the people who bring it to life. Produced by Sam Backer and Jessi Olsen. APWW #761

In this edition of Planet Afropop, our newest producer Stella Hartman reports on the UK/Nigerian group Ibibio Sound Machine’s venture into gospel music. Then Georges, Mukwae and Banning preview the annual Syli D’Or battle of the Afropop bands in Montreal by profiling the two winners of the 2024 Afropop Award. Boubé is a young Tuareg composer/singer/bandleader from Niger who now makes his home in Montreal. And Less Toches is a powerful, pan-Latin American ensemble with a fresh, global take on cumbia and more. PA 031

The Amazon River basin has long been a mystery to Brazil. Located far from the centers of business and power in the nation's southeast, the jungle provinces of the Brazilian north have long been ignored by the nation at large. But recently, Brazilians have discovered that the cities and waterways of the Amazon are home to some of the nation's hottest music. In this Hip Deep episode—a musical history of Pará state, where Afro-Caribbean influences have created a unique local flavor that connects the dots between Brazilian music and the rest of Latin America, we check out the guitar heroes of old-school Amazonian dance bands, investigate the origins of the early '90s lambada dance craze, and explore the bubblegum bass culture of tecno brega. Featured interviews with singer Gaby Amarantos, lambada revivalist Felipe Cordeiro and ethnomusicologist Darien Lamen, among others. APWW #691 Lead Producer: Marlon Bishop Assistant Production: Saxon Baird, Joe Dobkin

In this episode, our new producer, Lauren Williams, revisits an old genre through a new lens. Classical music, a historically exclusionary space, is going through changes. We explore the process of writing and performing boundary-pushing classical music with Seth Parker Woods, a Grammy-nominated cello player who pulls from the sounds and stories of the Black diaspora to write otherworldly compositions, and Curtis Stewart, a Grammy-nominated Violinist who experiments with beats and electronics in his virtuosic arrangements. We get a taste of how far the genre has come — and how far it has to go — from Afa Dworkin, a violinist and the creative director of The Sphinx Organization, which supports emerging composers of color. To wrap up the episode, we hear from Abel Selaocoe, a classical cellist from South Africa who has gifted the genre something new to play by tapping into ancestral memory. PA 030

In this program you will the hear the African music roots of famed American blues and rock 'n' roll artists such as Jimi Hendrix, Bo Diddley, Buddy Holly, Fats Domino, the Isley Brothers, Robert Johnson, The Kingsmen and many more! Not everyone in this program is as well-known as the above mentioned juggernauts of music. Also included is Celia Cruz, Sexteto Habanero, Arsenio Rodriguez, and Baby Face Leroy. Co-produced by Ned Sublette and Robert Palmer, author of “Deep Blues”, regarded by many as the best book on the blues. APWW #91

By the mid 20th century, Cairo had become the unrivaled center for music and film production in the Middle East. Producers, writers, composers, actors, musicians, star singers, and creators of every stripe flocked here to take part in the city's fervent, international, progressive artistic milieu. This was the heyday of the diva Umm Kulthum, Mohamed Abdel Wahab, and the beloved singer and composer Abdel Halim Hafez. But events of the 50s and 60s signaled an inward turn for Egypt and Cairo. The 70s saw the rise of a rougher, more street-wise music--sha'bi--and films began to lose their edge. And the 80s saw the emergence of a slick new pop sound that has resonated in the Middle East ever since. We hear from artists, producers, and scholars in this unique Hip Deep edition. Produced by Banning Eyre APWW #627

Botswana is a large, landlocked country in Southern Africa, a vast stretch of desert and savannah between South Africa, Zimbabwe and Namibia with a population of only 2.2 million. While widely overlooked internationally for their music, over the past 20 years Batswana has steadily built a diverse and fruitful local scene that includes traditional choirs, hip hop and kwaito, R&B and jazz and even heavy metal. While the biggest star in the country, Franco, packs stadiums with his Congolese-derived Setswana kwassa kwassa, Vee Mampeezy, Charma Gal and a host of aspiring stars champion a distinctly local fusion called house kwassa: a mix of rumba guitars, house beats and kwaito vocals. In this program we hear from Kabelo Mogwe of the popular cultural troupe Culture Spears; hip hop star Jujuboy; the metal band Skinflint; Afro soul singer Mpho Sebina and reformed house kwassa badboy Mingo Touch. We also head to a midnight recording session with young producer Zolasko and singer Naisi Boy and learn the insides of the Botswana music video industry with videographer Jack Bohloko. Produced by Lollise Mbi and Morgan Greenstreet APWW #813

Our reporter from Texas, Akshaj Turebylu, triangulates the influences responsible for the irresistible, intercontinental, genre-bending, collaborative album called History of House. Our guides include Shimmy Jiyane, a founding member of the Soweto Gospel Choir, the pre-eminent African gospel performers in the world. We're also joined by Latroit, a Grammy-winning producer who got his start with the legendary techno wizards, Inner City. Akshaj speaks to Shimmy and Dennis to learn how Australian DJ Groove Terminator put the pieces together for this revelatory release blending Afro house, Amapiano, techno, gospel, and more into, as it were, a tapestry of "the (global) history of house." As we find out, Detroit and Johannesburg have been speaking to each other for much longer than you might imagine. In this episode we also preview Afrobeat artist Amayo’s 2025 album, Lion Awakes.

Our Hip Deep edition “A Tale of Two Rebellions" recounts the stories of two remarkable military campaigns in early Islamic history. Both uprisings take place in the late 9th century, both involve Africans as key players, and both set the scene for the crystallization of the Sunni-Shi’ite divide in Islam, which of course continues to this day. By Joseph Browdy and Banning Eyre. APWW #535

Beginning in 1815, under Shaka Zulu, the Zulus began a campaign of conquest that would subsume so many other groups that today, the Zulu are South Africa's largest ethnic population, numbering at least six-million. Ethnomusicologist Louise Meintjes, author of Sounds of Africa! Making Music Zulu in a South African Studio writes that the Zulu reputation for courage and style has given them "empowering significance as a defiant, self possessed, royal, and artful African people." This program will trace the rise of Zulu musical identity. We'll hear from Umzansi Zulu Dancers; Lahlumlenze, guitar picking maskanda stars Phuzekhemisi, Bhekumuzi, and top seller, Shwi No Mthekala, as well as mbaqanga stars, Isigqi Sesimanje and others. This is a story of musical innovation and virtuosity: how local musicians absorbed American fingerstyle guitar, Afrikaans concertina, the marching bass drum of the British imperialists, the backing vocals of soft soul, and made from these new elements thoroughly "Zulu" sounds. Banning Eyre. (originally aired 2007) APWW #530

Georges, Mukwae and Banning share highlights from 2024, including new voices from Malawi and Namibia, highlights from the Nuits D’Afrique festival in Montreal, Mukwae’s song of the year, and George’s shout-out to Africans stationed on U.S. aircraft carriers. Plus a look ahead to Mali’s Bamba Wassoulou Groove, debuting at globalFEST 2025 in New York City on January 12. Great music and good cheer to end a most unusual year!

In the 70s and 80s Ivory Coast’s capital Abidjan was a major musical hub in West Africa. After a series of political crises, Abidjan is back. The Zouglou sound of the 1990s and the coupé decalé rage that followed are being reinvented in the era of Afrobeats and African hip-hop. The group Magic System is now invited to play major events in France—including President Macron’s election victory party! The group’s front man Asalfo has launched an annual music festival in Abidjan, FEMUA. On this program, we attend the festival and hear the sounds and stories of Abidjan’s cultural and commercial renaissance.Produced by Elodie Maillot and Alejandro Van Zandt-Escobar. APWW #802

Every year on Sierra Leone’s Independence Day in late April, musicians and revelers descend upon Freetown from throughout the country. Parades and celebrations traverse the city, joining diverse neighborhoods with processional music, including one particular local style called bubu, a trance-inducing sound played by groups of young men blowing interlocking hocketed breath patterns into bamboo tubes. Bubu resonates with other African diasporic horn traditions, rara and gaga especially. It has long been a part of the cultural fabric of Sierra Leone, yet its deeper story has so far eluded scholarly examination. This program, supported by original fieldwork and by interviews with scholars Connie Nuxoll, David Skinner, Michael Gallope and John Nunley, begins a serious exposition and investigation of the intriguing mythology and history that surrounds this unique, hypnotic music, through a focus on musician Ahmed Janka Nabay, widely recognized in Sierra Leone and beyond as “the Bubu King.” Written and produced by Wills Glasspiegel and Drew Alt. Georges Collinet is away on assignment: Our guest host is Sahr Ngajuah, the musician and actor who starred in the Broadway show, Fela!. APWW #690

Traditional Manding (Mande) griots living in France sit at the crossroads between Africa and Europe. Historically, their role has been to weave traditional, oral histories, often within music, to promote a united, peaceful society. As they have become part of the modern global community, each griot has their own way of staying true to these historical roles, while also broadening their appeal to multicultural audiences. In this program, we hear how these international troubadours spread their messages to the world by blending European music with the kora, the balafon, the guitar, and their own voices. Produced by Lisa Feder. APWW #864

An intimate look at Toumani Diabaté through 30 years of Afropop Worldwide conversations. From his home in Bamako to concert halls worldwide, Toumani revolutionized the kora and brought West African music to new heights – winning Grammys and collaborating with everyone from Ali Farka Touré to the London Symphony Orchestra. Join us as his longtime friend and producer Lucy Durán shares personal stories, while rare recordings capture Toumani's genius at different moments in his incredible career. Through his own words and music, we celebrate a true innovator who never forgot his griot roots. Produced by Banning Eyre for Afropop Worldwide, featuring exclusive archive material and performances.

This Hip Deep edition, based on field work in Ghana, tells the story of how highlife turned into Afro-funk. Guitarist/composer/bandleader Ebo Taylor, is our principle guide, taking us to his hometown Saltpond to explore the roots of his complex sound, and recounting his highlife years, and his deep study of American jazz in London in the early 60s—all part of a remarkable mix. We also hear from Ghanaian Afro-funk pioneer Gyedu Blay Ambolley and other observers and veterans of this history. Among the figures that interweave this story are James Brown, his most successful African successor Geraldo Pino, and, of course, the creator of Nigerian Afrobeat (a variety of Afro-funk), Fela Anikulapo Kuti. Produced by Banning Eyre. APWW #667

In this episode, our reporter in Lagos, Fay Fay, turns us on to two rising stars in African music’s dominant genre, Afrobeats. First Klaz, also known as Helicopter Boy, has made his from humble beginnings to become a top contender, and Kemuel has evolved from a rapper, modeled on gangsta stars, to become a tuneful and insightful Afrobeats singer/songwriter. Fay Fay takes us inside their journeys. We end with Harrison Malkin’s report on Colombian band Monsieur Periné, with a powerful new song about climate change and its ramifications for Colombian agriculture.

Fifty years ago, the president of Senegal’s nephew was putting together a band for his new, upscale Dakar nightclub, and he recruited a handful of musicians who are still together today. Bringing together elements from their homes across West Africa to the Afro-Cuban style of the time, the Orchestra Baobab became one of Dakar’s top bands. From the rough recordings made in Club Baobab, to their 21st century revival, their music ranges from slow folk ballads to wah-pedal heavy psychedelia. We’ll talk to members Rudy Gomis, Barthelemy Attisso, Theirno Kouyate, Balla Sidibe and more, and hear selections from a truly one-of-a-kind group, the specialists in all styles, half-a-century old and still evolving: the mighty Orchestra Baobab. APWW #822