The Business

It’s no surprise that a majority of Gen Z prefers content creators over traditional entertainment, but can the Hollywood establishment find a way to feed the next generation’s media diet? Matt Belloni and The Hollywood Reporter’s Alex Weprin investigate. Plus, we revisit Kim Masters’ conversation with Rob Reiner and Albert Brooks about Reiner’s HBO documentary, Albert Brooks: Defending My Life. The legendary filmmakers talk about their early years in the industry and they talk about the drastically changing landscape of entertainment.

In Hollywood’s latest changing of the guards, Jeremy Zimmer has announced that he will be shifting from his post as CEO of United Talent Agency to executive board member. What’s behind the shuffle? Plus, longtime Warner Bros partner, Village Roadshow recently filed for bankruptcy — even as arbitration continues over alleged financial losses due to the WB’s decision to release the Village Roadshow backed The Matrix Resurrections (2021) simultaneously in movie theaters and on Max. Kim Masters and Matt Belloni are here to unpack. Masters also speaks to documentarian Alex Gibney about his mysterious new HBO project — The Dark Money Game. Gibney shares some big news about a change within Jigsaw (his production company). Plus, he reveals a very busy slate that includes projects on college culture wars, Luigi Mangione, and an ever-expanding documentary series about Elon Musk.

Disney is dialing back the rollout of its upcoming live action Snow White remake starring Rachel Zegler and Gal Gadot. Why is the studio pulling its talent from red carpet press appearances at the film’s US premiere? Kim Masters and Matt Belloni are on the case. Plus, Masters speaks to director Lesli Linka Glatter about her Netflix limited series, Zero Day. Glatter, whose work in television includes Twin Peaks, Mad Men, and The West Wing, shares stories of being mentored by George Miller, Steven Spielberg, and David Lynch. She also reveals some of the more absurd aspects of directing for streamers.

The 97th annual Academy Awards broadcast saw a 1% increase in viewership from last year’s telecast. What’s behind the ratings boost? Might this have any effect on where the awards show lands after ABC’s deal with the academy ends in 2028? Also, is the Disney CEO succession race heating up? Kim Masters and Matt Belloni investigate. Plus, Eric Deggans speaks with Muslim Matchmaker creator Smriti Mundhra about her diverse body of work. She has a slew of dating series spread across streamers, and has made a couple of Oscar nominated documentary shorts, including last year’s I am Ready, Warden. She also talks about working as a production secretary for the Coen brothers on the films O Brother Where art Thou? and The Man Who Wasn’t There.

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate. Plus, NPR’s Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the musical world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón’s bigoted social media posts.

The ongoing Murdoch family drama is ramping up again; this time coming in the form of courtroom details released from a private trial in Nevada. Also, why is Harvey Weinstein suing his brother? Kim Masters and Matt Belloni investigate. Plus, Masters speaks to Pamela Anderson about starring in The Last Showgirl. The actress, who says she was a shy girl from a small town in Canada, shares how a chance appearance on a jumbotron at a football game catapulted her into the world of entertainment. She also recalls that her now-former agent nearly cost her the starring role in The Last Showgirl, which has brought her a SAG-AFTRA nomination for Best Actress.

The Trump administration’s hostility toward DEI initiatives has led companies like Disney and PBS to reevaluate their stance on advocating for these principles. How will the pendulum swing affect Hollywood under the new presidential administration? Kim Masters and Matt Belloni investigate. Plus, Masters speaks to Nick Park and Merlin Crossingham, the co-directors of Wallace and Gromit: Vengeance Most Fowl. Park and Crossingham share how they balanced claymation, a notoriously time-consuming medium, with modern filmmaking tools in the latest Wallace and Gromit adventure. And the pair explains why animating even a mostly motionless character — like the menacing criminal mastermind Feathers Mcgraw — is surprisingly difficult.

Listen to a special preview of Jeff Lunden's conversation with Clément Ducol & Camille on their songwriting process for 'Emilia Pérez.'

The FCC has published the raw transcript of a 60 Minutes interview with Kamala Harris following Donald Trump’s claims of CBS commiting “election interference.” What’s behind the president’s attack on the network? Also, Kim Masters and Matt Belloni dive into the Emilia Pérez controversy as the film’s director speaks out against his leading actress. Plus, Masters speaks to Jesse Eisenberg about his Oscar nominated A Real Pain. The film's writer, director, and co-star talks about the challenges of capturing the complicated feelings of the descendents of holocaust survivors while still including humor. They also talk about the special relevance that Majdanek–the concentration camp the two cousins visit in the film–has for Masters.

Matthew McConaughey and Woody Harrelson star in an ad asking Texas legislators to create incentives for productions to shoot in their home state. What’s behind the decision to drop the video, which pulls no punches against Hollywood, as Los Angeles seeks to rebuild after the devastating fires? Kim Masters and Matt Belloni investigate. Plus, Masters speaks to producer Marc Platt about his Oscar nominated film, Wicked. Platt shares how his career as an entertainment lawyer led to running studios like Orion Pictures, Tristar, and Universal Pictures. He also talks about producing the original broadway production of Wicked, and the long journey that led to him hiring Jon M. Chu to direct the show’s film adaptation.

Netflix had a strong fourth quarter, adding 19 million subscribers to the streaming service before raising subscription prices across the board. Also, leaked footage muddies the water in the ongoing Blake Lively/Justin Baldoni war, and Trump announces a $500 billion AI initiative with Larry Ellison and Sam Altman. Will the project help or hurt Ellison’s stake in his son David’s purchase of Paramount? Kim Masters and Matt Belloni investigate. Plus, Masters is joined by Scott Feinberg, The Hollywood Reporter’s Executive Editor of Awards, to break down who’s in and who’s out in this year's Oscar nominations.

Hollywood responds to a perceived lack of urgency from Los Angeles Mayor Karen Bass, a new twist develops in the Blake Lively/Justin Baldoni feud, and Donald Trump is unhappy with Comcast after comedian Seth Meyers makes fun of the incoming president. Kim Masters and Matt Belloni are here to help us all make sense of this relentless week. Plus, we revisit our conversation between Masters and Sing Sing director Greg Kwedar. Everyone involved in the production was paid the same daily rate, a model that Kwedar hopes could bring more parity to film sets. The movie stars Colman Domingo as a wrongly-convicted man staging a play inside the real Sing Sing prison. Much of the cast includes formerly incarcerated actors playing versions of themselves.

Warner Bros. has parted ways with its marketing chief and president of international distribution. What’s behind the shakeup at the studio and how does that affect the company’s slate of 2025 releases? Kim Masters and Matt Belloni dive in. Plus, Masters speaks to The Brutalist co-writer & director Brady Corbet and co-writer Mona Fastvold. The pair talk about the seven-year battle to get their post war epic to the big screen. They also explain their audacious decision to make a three and a half hour film with an intermission, share thoughts on the state of the country, and Corbet reveals his thoughts about Trump’s plans to demolish brutalist federal buildings.

The feud between Blake Lively and It Ends with Us director Justin Baldoni continues to unfold. What's going on here? Kim Masters and Bloomberg's Lucas Shaw investigate. Plus, Masters speaks to Nosferatu writer-director Robert Eggers and Focus Features chairman Peter Kujawski. The pair talk about their long partnership, which spans the director's entire career. Eggers also talks about winning over seasoned crews who have years more experience than he does, and why a little humor goes a long way in a movie like Nosferatu.

As 2024 comes to an end, we want to thank you, our listeners! We asked you to send us your burning questions about the industry, and you delivered – from around the world. Kim Masters and Matt Belloni dish it out over everything from the mind numbing amount of trailers before movies, to the surprising reason behind FYC billboards – we’re looking at you, studio execs. Did we answer your question in our first ever listener mailbag? Tune in to find out!

As 2024 comes to an end, we want to thank you, our listeners! We asked you to send us your burning questions about the industry, and you delivered – from around the world. Kim Masters and Matt Belloni dish it out over everything from the mind numbing amount of trailers before movies, to the surprising reason behind FYC billboards – we’re looking at you, studio execs. Did we answer your question in our first ever listener mailbag? Tune in to find out!

It’s that time of year again and we are serving up a heaping plate of 2024 Megabanter! The Paramount–Skydance merger finally lands, streamers and legacy studios duke it out for sports rights, Bob Iger makes his moves while the Disney board ramps up its succession race, and linear television continues to decline — what’s the story of the year? Banter buddies Lucas Shaw and Matt Belloni join Kim Masters to figure it out.

Rupert Murdoch wants to update his family trust in favor of his son Lachlan, who runs the Fox News empire. What’s behind Nevada commissioner Edmund J. Gorman Jr.’s decision to block the move? Kim Masters and Matt Belloni investigate. Plus, Masters talks to documentarian Nic Stacey about his Netflix film, Buy Now! The Shopping Conspiracy. The London-based filmmaker tells us how he managed to pull together an impressive roster of whistleblowers from top companies such as Amazon, Adidas, and Apple. He also says that working with Netflix’s U.K. team was a breeze, despite the documentary’s focus on tech giants. Stacey also explains why he chose to use an AI narrator named “Sasha” to guide viewers through the film.

Rupert Murdoch wants to update his family trust in favor of his son Lachlan, who runs the Fox News empire. What’s behind Nevada commissioner Edmund J. Gorman Jr.’s decision to block the move? Kim Masters and Matt Belloni investigate. Plus, Masters talks to documentarian Nic Stacey about his Netflix film, Buy Now! The Shopping Conspiracy. The London-based filmmaker tells us how he managed to pull together an impressive roster of whistleblowers from top companies such as Amazon, Adidas, and Apple. He also says that working with Netflix’s U.K. team was a breeze, despite the documentary’s focus on tech giants. Stacey also explains why he chose to use an AI narrator named “Sasha” to guide viewers through the film.

Gail Slater is Donald Trump’s pick to head the Justice Department's antitrust division. As she gears up to oversee cases against major tech companies like Google and Apple, how will the veteran antitrust lawyer view future mergers in Hollywood? Kim Masters and Matt Belloni dive in. Plus, Masters speaks to journalist Jacob Soboroff and documentarian Errol Morris about their film Separated, a sobering look at the Trump Administration’s 2017 child separation policy. They have a lot to say about those who were complicit in tearing thousands of children away from their families. Plus, Soboroff weighs in on Comcast’s refusal to release the film before the election.