Soundcheck

Distinctive songwriter Cass McCombs takes a broad view of the American experience – from the mundane to the mythic. His new songs from a wide-ranging double album - Interior Live Oak contain “specific detail amid strange painterly settings” (The Guardian) and remain hopeful despite the feeling of listening to someone who has lived the extreme aspects of modern life. Cass McCombs plays a stripped-down set, in-studio. Set List: 1. Missionary Bell 2. Home At Last 3. Peace

Pianist and composer Omar Sosa draws on his own Afro-Cuban heritage, American jazz, and spiritual and meditative practices from around the world to create music that defies categorization. He’s traveled widely, especially in Africa, recording the sounds of the people, the animals, and the instruments of those places and sometimes incorporating them into his own works. Sosa, along with the Cuban-born, New York-based sax player Yosvany Terry, and drummer Julian Miltenberger, play new music, in-studio. Set list: 1. Bola 2. My Three Notes (Mis Tres Notas) 3. Muevete en D

“Failed bull-rider turned seminal songwriter” (Red Light Management), native Texan Rodney Crowell is considered to be one of the chief architects of Americana music, and a songwriter admired by good songwriters. Crowell has had an eventful career in his half century of writing songs, making records and helping create the style that’s come to be known as alternative country. He’s worked with a who’s who of American music: Emmylou Harris at first, and then much later as well, but also Johnny Cash, Willie Nelson, Sheryl Crow – the list is too long to go into. Rodney Crowell is back with a new album called "Airline Highway" featuring many top-notch collaborations. He plays a solo set, in-studio. Set list: 1. Rainy Days in California 2. The Twenty-One Song Salute (Owed to G.G. Shinn and Cléoma Falcon) 3. Taking Flight

From the 2025 New York Guitar Festival, listen to a live set by the adventurous guitarist/composer Mary Halvorson along with drummer/composer Tomas Fujiwara, playing their original works. This show was recorded at the First Unitarian Congregational Society in Brooklyn, as part of the New Sounds Live concert series, and was also a co-presentation of World Music Institute. Set list: 1. Fujiwara: June 2. Fujiwara: Nudgestorms 3. Halvorson: Folded Secret 4. Frisell: Untitled

Norwegian pianist Tord Gustavsen and his trio, featuring new bassist Sigurd Hole and long-time collaborator, drummer Jarle Vespestad, combine together folk influences and church music for unhurried embraces of melody. Expressive and reflective, Gustavsen’s ‘Nordic blues’ slowly unfurls passages of delicate lyricism, with enough space for contemplation, and only the notes that are needed from all players in the trio. On the 2018 release, The Other Side, the trio effortlessly injects old Norwegian lullabies and dance forms into original works, and develops haunting and riveting responses to both Scandinavian hymns and Bach Chorales. The Tord Gustavsen Trio joins us to play some of these compositions in-studio. (From the Archives, 2018) - Caryn Havlik Set List: 1. The Tunnel 2. O Traurigkeit 3.Schlafes Bruder

Adrian Quesada is probably best known as one of the two co-founders of the psychedelic soul band Black Pumas, but the guitarist and producer has also been part of Grupo Fantasma, Brownout and Ocote Soul Sounds. Lately, he’s also been pursuing another musical project called Boleros Psicodélicos, an homage to the phenomenon of balada music that blossomed throughout Latin America between the late ‘60s and early ‘70s. Balada is “a refined collision of bossa nova smoothness, Beatlesque psychedelia and torrid boleropathos” which “used art-pop instrumentation (mostly strings and harpsichords)”, and “employed songs about heartbreak and longing as a means to transport the listener to an opulent, cinematic fantasy world”, (Bandcamp). Quesada has recently released the second volume of these modern takes on vintage Latin pop sounds, all featuring some of the leading voices in modern Latin alternative music. Quesada, his band, and guest artists -L.A. singer and producer Angélica Garcia, Grammy-winning Puerto Rican singer-songwriter iLe (Ileana Cabra), and violinist and vocalist Mireya Ramos (of the all-female Mariachi band Flor de Toloache) – all perform in-studio. Set list: 1. Tus Tormentas with Mireya Ramos 2. No Juego with Angelica Garcia 3. Mentiras con Cariño with iLe

The New York-based singer, songwriter, and producer Anand Wilder was a cofounder of the experimental indie band Yeasayer, and more recently has pursued a wide-ranging solo career. His 2022 solo debut, I Don’t Know My Words, was a genuine solo project, with Anand playing everything himself. Now, though, Anand Wilder has a new record called Psychic Lessons, and it is very much a collaboration with two other musician/producers, Walter Fancourt and Jachary, both of whom join him to play new songs, in-studio. Set List: 1. Appointment in Samarra 2. Selkie Bride 3. Molly's Song 4. Bog People

The singer Elisapie is an Inuk musician, filmmaker, advocate, and writer who has become a nationally-celebrated figure in Canada – her portrait appears on a postage stamp in that country’s Indigenous leaders series. Her latest album, Inuktitut, is notable for a couple of reasons: first, it’s sung in the language called Inuktitut, and second, it is an album of reworked songs by Fleetwood Mac, Led Zeppelin, Pink Floyd and more. Elisapie, in looking back to the songs of her youth, celebrates the resilience and joy of the Inuit people and the spirit of connection. She and her band play in-studio. Set list: 1. Uummati Attanarsimat (Heart of Glass) 2. Isumagijunnaitaungituq (The Unforgiven) 3. Arnaq

Named after being mis-identified while returning a uHaul, the pop’n’roll band We Are Scientists has been making melancholic, nostalgic, and melodic songs, familiar and fun, for some 20 years. Since their debut album With Love And Squalor, they’ve wandered into the worlds of comedy and English soccer while continuing their own spin on indie rock with and without synths. Keith Murray and Chris Cain, on their latest, Qualifying Miles, return to a more direct, "band in a room" sound, reminiscent of the '90s guitar rock heroes of their youth with pedal boards aplenty and rock waltzes. We Are Scientists, with touring drummer, Keith Carne, plays in-studio. Set list: 1. Please Don't Say It 2. Dead Letters 3. What You Want Is Gone

Eleanor Friedberger, best known as one half of the indie rock duo The Fiery Furnaces, has recently shifted her musical landscape, swapping out live instruments in favor of drum programming and synths for a sound that she can create mostly on her own. (Part of her desire to be more self-reliant, in the wake of the 2016 election.) On her 2018 record, Rebound, she channels the sound and energy of an experience at a very smoky 80’s goth disco in Athens where they do a “chicken dance.” Lyrical inspiration came to Friedberger from a biography about the poet Edna St Vincent Millay. Eleanor Friedberger brings these dark and smoky, yet groovy and poetic tunes to perform in-studio. (From the Archives)

The duo of Rachael & Vilray turns the idea of "Everything old is new again" on its head – making new things that sound really old. Over the course of three albums they offer a contemporary take on tin pan alley, the great American songbook, and vintage small combo jazz. The duo’s latest album is West of Broadway and it brings Rachael & Vilray back to our studio to play some of these new and knowing songs. Set list: 1. Forever Never Lasts 2. Is It Jim? 3. My Key to Gramercy Park

New York based composer Cassie Wieland first unveiled her ambient songwriting project she calls Vines in 2023. Now she’s released a full LP under the name Vines – that record, called I’ll be here, is full of atmospheric, textural washes of sound and processed vocals that suggest a story rather than actually telling you one. The live version of Vines includes an unusually-constructed ensemble: Wieland on keyboards, synths, vocoder, and vocals, Adam Holmes on a Sensory Percussion Kit, and Adrianne Munden-Dixon on violin. Vines plays some of these inviting, cinematic song-scapes, in-studio. Set list: 1. Evicted 2. Tired 3. I am my home

Indianapolis-based group 81355 (pronounced ‘bless’) is a collaboration between the rapper/singers Oreo Jones and Sirius Blvck, and the lyricist/producer Sedcairn, and while they’re clearly rooted in hip hop, they’re not bound by it. On their impressive new album Bad Dogs, the band races through electropop, future soul, grunge, and avant-garde boom-bap, all the while designing a hazy and heavy Afrofuturist take on a live band augmented by electronics - supported by members of their "Naptown" underground music community. They play music from their latest, 'Bad Dogs', in-studio for the #SoundcheckPodcast. Set list: 1. Heart of Stone 2. Guitar 3. Capstone

In 2000 the Bad Plus helped usher in the new century with what looked like a 20th century jazz piano trio, with music ranging from groove-based originals to covers of Black Sabbath and Igor Stravinsky. Over the past quarter century they’ve repeatedly surprised listeners. Lately founding members Reid Anderson (bass) & Dave King (drums) with no piano at all have formed a quartet with reedist Chris Speed and guitarist Ben Monder. The Bad Plus’s latest album is called Complex Emotions and they play some of these compositions in-studio. Set List: 1. Casa Ben 2. French Horns 3. Carrier

Cautious Clay is the stage name of singer, multi-instrumentalist and songwriter Josh Karpeh. He burst out of the gate with his song “Cold War” in 2017, a song that was later sampled by Taylor Swift in her track “London Boy”. Cautious Clay’s music blends R&B, neo-soul, jazz, and more, and his subsequent output includes cowriting with John Legend and of course his own records, the most recent of which is called The Hours: Morning. Cautious Clay and his band play new music, in-studio. Set list: 1. Fade Blue 2. Tokyo Lift (5am) 3. Art Museum The Hours: Morning by Cautious Clay

Bandleader, educator, and improviser Brandee Younger plays the harp. But while she has classical training and knows her way around Ravel and Debussy, she has long been fascinated by harpists like Dorothy Ashby and Alice Coltrane, Black women who created new spaces for the harp in the worlds of jazz and pop. Brandee Younger’s new album is called Gadabout Season, and on it, she plays her own compositions, and plays them on Alice Coltrane’s own harp. She and her trio play in-studio. Set list: 1. Gadabout Season 2. New Pinnacle 3. BBL

Larry & Joe is a duo that blends the traditional folk music of Venezuela and Appalachia. The duo consists of Larry Bellorin, who has mastered the folk harp of Venezuela, and Joe Troop, who led the Latin-tinged bluegrass band Che Apalache. Larry, a legend of Llanera music, came to America in 2016 as an asylum seeker and describes his current immigration status as “limbo.” Joe Troop is a banjo, fiddle and guitar player who has written songs about migration, and works with asylum seekers; he relocated to North Carolina to be in this duo with Larry. Together, they’ve blended their musical inheritances and traditions performing on harp, banjo, cuatro, fiddle, maracas, guitar, and upright bass. Their latest is called Manos Panamericanos, and they’re on a mission to show that music has no borders. Larry & Joe play in-studio. Set list: 1. Golpe de Garza 2. Silver Lining 3. The Dreamer

American singer-songwriter Laura Stevenson has found a musical home in the area between indie rock and confessional singer/songwriter folk. Her new album, Late Great, runs the gamut of feelings: one moment pulsating with a shoegaze-influenced dreamscape of sparkling guitars and in another, there’s tender, acoustic reflection with elusive, poetic lyrics. Armed with a new career path, she processes heartbreak on this “document of loss”, reconnecting with her healing relationship to music (Rough Trade Records). Laura Stevenson plays intimate arrangements of these new tunes, in-studio. Set list: 1. Honey 2. Domino 3. Not Us

John Butler has been one of Australia’s most successful independent musicians over the past quarter century. Much of that time he’s led the platinum selling John Butler Trio, three of whose albums hit number one on the Australian charts. Lately, he has been celebrating going solo, using his signature blend of rock, pop, folk, blues, and roots music. Butler’s new album, Prism, the third in his four album project, in which he continues to explore "what it is to be human: love, death, politics, inner and outer turmoil and redemption", (Billboard), comes out on September 5. John Butler and his band play a couple of the singles from the album, as well as on old fave, in-studio. Set list: 1. Trippin On You 2. So Sorry 3. Zebra

The band Buscabulla began here in New York over a decade ago, when singer Raquel Berrios and multi-instrumentalist Luis Del Valle began making their sophisticated, electronically-tinged Latin pop together. The name Buscabulla loosely translates as “troublemaker,” though the only trouble they’ve caused is to people who’ve tried to pin down their music. Their songs have a dreamy pop atmosphere but often ride along on sturdy Caribbean rhythms. Elements of funk and experimental electronic music are also part of the mix. Now, Buscabulla is based in Puerto Rico, where they’ve collaborated with Bad Bunny and released two LPs, the latest one called Se Amaba Asi. They play some of these new tunes, in-studio.