Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Today Justin Richmond has a quick chat with Laura Segura, the Executive Director of MusiCares—a Recording Academy non-profit that's currently offering support to musicians and music professionals affected by the ongoing fires in L.A. MusiCares can provide assistance with costs related to evacuation, relocation, instrument replacement, home damage, medical care, mental health services, and other essential living expenses. For more information or to apply for support, contact MusiCares at MusiCaresRelief@musicares.org or call 1-800-687-4227. To donate, please visit musicares.org/firerelief. See omnystudio.com/listener for privacy information.

Coming off the loss of Quincy Jones, Benny Golson, Roy Haynes and Lou Donaldson at the end of 2024, it’s truly a treat to bring you a fresh interview with one of the last musicians of the Bebop era, the saxophone colossus himself, Sonny Rollins. Since we last spoke, a couple interesting artifacts from Rollins life have surfaced: "The Notebooks of Sonny Rollins" and "Rollins in Holland." We discuss those releases, his spirituality and the loss of some of his comrades in 2024. You can hear a playlist of some of our favorite Sonny Rollins songs HERE. See omnystudio.com/listener for privacy information.

Alejandro Escovedo is a Texas-born singer/songwriter who comes from a rich family of musicians including his niece, Sheila E. Alejandro started out in the pioneering San Francisco punk band the Nuns in 1975. From there he moved to New York, and then eventually settled in Austin where he started playing rootsy rock with bands like Rank and File, as well as The True Believers. In March, Alejandro Escovedo released his latest album, Echo Dancing, a retrospective of his career that spans five decades. Inspired by artists like Brian Eno and Suicide, Alejandro Escovedo both re-imagines and re-records his previous work on the new album. On today’s episode Bruce Headlam talks to Alejandro Escovedo about his upbringing in San Antonio and Huntington Beach, where he’d sometimes pretend to be Hawaiian to avoid getting beat up. He also tells some great stories about his swings through Austin and San Francisco—like being on the bill for the Sex Pistol’s final show. You can hear a playlist of some of our favorite Alejandro Escovedo songs HERE. See omnystudio.com/listener for privacy information.

2024 has been a career-defining year for St. Vincent. In April she released her self-produced seventh album, All Born Screaming. Then in November she released the Spanish language version of the same album, called Todos Nacen Gritando, as a tribute to fans she met in Spain and Latin America. The album doesn’t serve to replace the English language version, but instead supplements it brilliantly and provides a renewed listening experience. Of all the St. Vincent projects dating back to her debut album in 2007, this is the one that feels the most steeped in a singular vision On today's episode St. Vincent talks to Justin Richmond at Amazon Music’s Studio 126 about the difficult production process behind her latest release. She also sheds light on her experience touring the album, which continues well into the new year with some dates featuring Olivia Rodrigo and Nick Cave. And she talks about how she developed what she describes as her high-level taste despite growing up in the middle of the country pre-internet. You can hear a playlist of some of our favorite St. Vincent songs HERE. See omnystudio.com/listener for privacy information.

This week we're sharing an episode from one of Slate's podcasts called Hit Parade. A decade ago, Rolling Stone magazine called 1984 “Pop’s Greatest Year.” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be. Join Chris Molanphy in this episode of Slate's Hit Parade as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” You can listen and subscribe to the Hit Parade podcast on your favorite podcast player. See omnystudio.com/listener for privacy information.

Conor Oberst's music is dynamic, deeply smart, captivating, funny, and sometimes biting. His extensive catalogue dates back to the early '90s and includes music with Bright Eyes, Desaparecidos, the Mystic Valley band, the Faint, Commander Venus, Monsters of Folk, a collaboration with Phoebe Bridgers, and of course his solo material. On today's episode Justin Richmond and Conor Oberst discuss Conor's deep catalogue, and Conor recalls how he got his start by sending valentines to his favorite indie labels. He also explains how he was able to build an independent musical movement in his native Omaha, Nebraska. You can hear a playlist of some of our favorite Conor Oberst songs HERE. See omnystudio.com/listener for privacy information.

Hiatus Kaiyote is an incredibly talented group of four Australian musicians—vocalist and guitarist Nai Palm, drummer Perrin Moss, bassist Paul Bender and Simon Mavin on keys. But those aren’t permanent stations for any of them, they often move between instruments and all contribute to writing some of the most beautiful soulful music of the last decade. Their latest album, Love Heart Cheat Code, came out earlier this year. It's the group’s fourth proper album and features some of their strongest songwriting yet while still managing to weave in some of the incredibly complex musical ideas they’re known for. For today's episode, Justin Richmond met up with Hiatus Kaiyote at NRG Studios in Los Angeles, at the end of their US tour to talk through their new album. They also touch on their role as collaborators within—and outside of—the group, and we'll hear them perform a live set. To see the full video version of this episode along with the band’s performance, visit YouTube.com/BrokenRecordPodcast. You can hear a playlist of some of our favorite Hiatus Kaiyote songs HERE. See omnystudio.com/listener for privacy information.

Today we have Aoife O’Donovan on the show who was nominated for two Grammy awards this year: Best Folk Album for her latest release, All My Friends, as well as Best American Roots Song for the album’s title track. Aoife is a wonderfully prolific singer and songwriter from the Americana tradition—who also has an academic background, having studied improvisation at the New England Conservatory of Music. Her latest album is a gorgeous set of songs inspired by the life and work of suffragist Carrie Chapman Catt, and it celebrates the 100 year anniversary of women securing the right to vote in the United States. In Aoife’s conversation with Bruce Headlam on today’s episode you’ll hear her perform some songs live and hear her talk about how this project crystallized for her, and some of the challenges it posed. You can hear a playlist of some of our favorite Aoife O’Donovan songs HERE. See omnystudio.com/listener for privacy information.

Legends are made at the Olympics and this summer shows across the Pushkin network are bringing their unique takes to Olympic stories. This special episode includes excerpts from a few: a Cautionary Tale about underestimating female marathoners, a Jesse Owens story from Revisionist History’s series on Hitler’s Olympics, and—from What’s Your Problem—the new technology that’s helping Olympic athletes get stronger. Check out other show feeds as well, the Happiness Lab and A Slight Change of Plans are also going to the Games. Sylvia Blemker of Springbok Analytics on What’s Your Problem The Women Who Broke the Marathon Taboo on Cautionary Tales Hitler’s Olympics from Revisionist History See omnystudio.com/listener for privacy information.

The Happiness Lab’s Dr. Laurie Santos brings together other Pushkin hosts to mark the International Day of Happiness. Revisionist History’s Malcolm Gladwell talks about the benefits of the misery of running in a Canadian winter. Dr. Maya Shankar from A Slight Change of Plans talks about quieting her mental chatter. And Cautionary Tales host Tim Harford surprises everyone with the happiness lessons to be learned from a colonoscopy. Hear more of The Happiness Lab HERE. See omnystudio.com/listener for privacy information.

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney’s 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney’s dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.