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Father Knows Best- Watching The Dog

Bob Camardella Remembers "Mr. Smith Goes To Washington (1939) Mr. Smith Goes to Washington is a 1939 American lighthearted political satire film directed by Frank Capra, starring Jean Arthur and James Stewart, and featuring Claude Rains and Edward Arnold. The film is about a naive, newly appointed United States senator who fights against government corruption, and was written by Sidney Buchman, based on Lewis R. Foster's unpublished story "The Gentleman from Montana". It was loosely based on the life of Montana US Senator Burton Wheeler, who underwent a similar experience when he was investigating the Warren Harding administration. The film was controversial in the US when it was first released, with attacks from many politicians claiming that it brought Washington into disrepute, but it was very successful at both the domestic and international box offices, and it made Stewart a major star. Mr. Smith Goes to Washington was nominated for eleven Academy Awards, including Best Picture, Best Director and Best Actor, winning Best Original Story. Considered to be one of the greatest films of all time, the film was selected by the Library of Congress as one of the first 25 films for preservation in the United States National Film Registry in 1989, for being "culturally, historically, or aesthetically significant". crucify the worshipful Smith so that their graft plan will go through, Paine tells Taylor he wants out, but Taylor reminds him that Paine is in power primarily through Taylor's influence. Paine then advises Smith to keep silent about the matter. The following day, when Smith speaks out about the bill at Senate, the machine in his state — through Paine — accuses Smith of trying to profit from his bill by producing fraudulent evidence that Smith already owns the land in question. Smith is too shocked and angry by Paine's betrayal to defend himself and runs away. Saunders, who looked down on Smith at first, but has come to believe in him, talks him into launching a filibuster to postpone the appropriations bill and prove his innocence on the Senate floor just before the vote to expel him. In his last chance to prove his innocence, he talks non-stop for about 25 hours, reaffirming the American ideals of freedom and disclosing the dam scheme's true motives. Yet none of the senators are convinced. The constituents try to rally around him, but the entrenched opposition is too powerful, and all attempts are crushed. Owing to the influence of Taylor's machine, newspapers and radio stations in Smith's home state, on Taylor's orders, refuse to report what Smith has to say and even distort the facts against the senator. The Boy Rangers' effort to spread the news in support of Smith results in vicious attacks on the children by Taylor's gangsters. Although all hope seems lost, the senators begin to pay attention as Smith approaches utter exhaustion. Paine has one last card up his sleeve: he brings in bins of letters and telegrams from Smith's home state, purportedly from average people demanding his expulsion. Nearly broken by the news, Smith finds a small ray of hope in a friendly smile from the President of the Senate. Smith vows to press on until people believe him but immediately collapses in a faint. Overcome with the pangs of remorse, Paine leaves the Senate chamber and attempts to commit suicide by gunshot but is stopped by onlooking senators. He then bursts back into the Senate chamber, shouting a confession to the whole scheme; the reformed Paine further insists that he must be expelled from the Senate and affirms Smith's innocence to Clarissa's delight. The President of the Senate observes the ensuing chaos with amusement.

Bob Camardella Remembers "Scrooge" A Christmas Carol 1984 A Christmas Carol. In Prose. Being a Ghost Story of Christmas, commonly known as A Christmas Carol, is a novella by Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. It recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come. In the process, Scrooge is transformed into a kinder, gentler man. Dickens wrote A Christmas Carol during a period when the British were exploring and re-evaluating past Christmas traditions, including carols, and newer customs such as cards and Christmas trees. He was influenced by the experiences of his own youth and by the Christmas stories of other authors, including Washington Irving and Douglas Jerrold. Dickens had written three Christmas stories prior to the novella, and was inspired following a visit to the Field Lane Ragged School, one of several establishments for London's street children. The treatment of the poor and the ability of a selfish man to redeem himself by transforming into a more sympathetic character are the key themes of the story. There is discussion among academics as to whether this is a fully secular story, or if it is a Christian allegory. Published on 19 December, the first edition sold out by Christmas Eve; by the end of 1844 thirteen editions had been released. Most critics reviewed the novella favourably. The story was illicitly copied in January 1844; Dickens took legal action against the publishers, who went bankrupt, further reducing Dickens's small profits from the publication. He subsequently wrote four other Christmas stories. In 1849 he began public readings of the story, which proved so successful he undertook 127 further performances until 1870, the year of his death. A Christmas Carol has never been out of print and has been translated into several languages; the story has been adapted many times for film, stage, opera and other media. A Christmas Carol captured the zeitgeist of the early Victorian revival of the Christmas holiday. Dickens acknowledged the influence of the modern Western observance of Christmas and later inspired several aspects of Christmas, including family gatherings, seasonal food and drink, dancing, games and a festive generosity of spirit.

Bob Camardella Remembers "Frankinstein" (1931) Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell. Frankenstein stars Colin Clive as Henry Frankenstein (Victor Frankenstein in the novel), an obsessed scientist who digs up corpses with his assistant in order to assemble a living being from body parts. The resulting creature, often known as Frankenstein's monster, is portrayed by Boris Karloff. The makeup for the monster was provided by Jack Pierce. Alongside Clive and Karloff, the film's cast also includes Mae Clarke, John Boles, Dwight Frye, and Edward Van Sloan. Produced and distributed by Universal Pictures, the film was a commercial success upon release, and was generally well received by both critics and audiences. It spawned a number of sequels and spin-offs, and has had a significant impact on popular culture: the imagery of a maniacal "mad" scientist with a hunchbacked assistant and the film's depiction of Frankenstein's monster have since become iconic. In 1991, the United States Library of Congress selected Frankenstein for preservation in the National Film Registry as being "culturally, historically, or aesthetically significant".

Bob Camardella Remembers Mr. District Attorney (1947) MOVIE Mr. District Attorney is a 1947 American film noir crime film directed by Robert B. Sinclair and starring Dennis O'Keefe, Adolphe Menjou and Marguerite Chapman. The film was based on the long-running and popular radio series Mr. District Attorney created by Phillips Lord. Plot An assistant district attorney becomes involved with a woman who works for the group that he is investigating. Cast Dennis O'Keefe as Steve Bennett Adolphe Menjou as Craig Warren Marguerite Chapman as Marcia Manning Michael O'Shea as Harrington George Coulouris as James Randolph Jeff Donnell as Miss Miller Steven Geray as Berotti Ralph Morgan as Ed Jamison John Kellogg as Franzen

Bob Camardella Remembers "The Strawberry Blonde" Starring Jimmy Cagney (1941) The Strawberry Blonde is a 1941 American romantic comedy film directed by Raoul Walsh, starring James Cagney and Olivia de Havilland, and featuring Rita Hayworth, Alan Hale, Jack Carson, and George Tobias. Set in New York City around 1900, it features songs of that era such as "The Band Played On", "Bill Bailey", "Meet Me in St. Louis, Louie", "Wait Till The Sun Shines Nellie", and "Love Me and the World Is Mine". It was nominated for an Academy Award in 1941 for Best Scoring of a Musical Picture. The title is most often listed beginning with the word The (as it appears in the opening credits), but the film's posters and promotional materials called it simply Strawberry Blonde. The film was a more lighthearted remake of the 1933 non-musical movie One Sunday Afternoon, directed by Stephen Roberts and starring Gary Cooper. Unlike that earlier picture, it was a hit. In 1948, Walsh directed a third version of the story, also called One Sunday Afternoon, featuring early 20th-century songs combined with original musical numbers. The movie runs as a long flashback in the 1890's in New York City and opening with Biff Grimes (James Cagney) as an unsuccessful dentist on a Sunday without work. Hugo Barnstead (Jack Carson), an old partner, nemesis and rival makes a desperate appointment to see him. As Biff considers killing Hugo when he gives him nitrous oxide, the flashback begins. Biff falls in love with strawberry-blonde society girl Virginia Brush (Rita Hayworth). However, Biff's more enterprising "pal", Hugo, wins Virginia's affections. Biff ends up marrying Virginia's less-glamorous best friend, Amy Lind (Olivia de Havilland), who Biff eventually realizes was the right one for him all along.

Bob Camardella Remembers "The Chase" (1946) Full Movie The Chase is a 1946 American film noir directed by Arthur Ripley. The screenplay by Philip Yordan is based on Cornell Woolrich's 1944 novel The Black Path of Fear. It stars Robert Cummings as Chuck Scott, a veteran who suffers from hallucinations. When he returns a lost wallet to violent mobster Eddie Roman (Steve Cochran), Eddie offers to hire him as a chauffeur. Chuck becomes mixed up in a plot to help Eddie's wife Lorna (Michèle Morgan) run off to Havana to escape her cruel husband. Chuck Scott is a World War II veteran who is now a penniless drifter in Miami tormented by bizarre dreams. After finding a wallet and returning it to Eddie Roman, a vicious gangster, he is hired by Roman to be his driver. Roman tests his new driver, whom he nicknames Scotty, by assuming control of his car from the back seat. Scotty does not know that Roman has an accelerator in the rear passenger compartment. This bizarre trick unnerves Scotty and Roman's right-hand man Gino. Roman reveals himself as a tough gangster by killing any competition, and is harsh and controlling with his wife, Lorna. She goes for a ride every night, and one day she asks driver Scotty to take her to Havana, Cuba in exchange for $1,000. He consents and realizes that he is in love with her. When they reach Havana, they stop for a drink at a club, where Lorna is stabbed to death. All the evidence points to Scotty as the killer, including the fact that he had, earlier that day, apparently purchased the knife used in the murder. He realizes that he is being framed. A photograph from the club that proves Scotty's innocence is destroyed by Gino, who has come to Cuba to exact revenge against Lorna and Scotty. Scotty escapes police custody but is supposedly gunned down by Gino when he returns to the curio store from which the knife was purchased. Scotty's face is never shown during this scene. Production The Black Path of Fear was published in 1944. The New York Times praised its "fiendishly ingenious plot and thrilling episodes." Producer Seymour Nebenzal bought the rights to the story. In January 1946, he announced Phil Yordan, with whom he had made Whistle Stop, was writing the script.

Bob Camardella Remembers Clint Eastwood's "Hang 'Em High" (1968) Hang 'Em High is a 1968 American revisionist Western film directed by Ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood as Jed Cooper, an innocent man who survives a lynching; Inger Stevens as a widow who helps him; Ed Begley as the leader of the gang that lynched Cooper; and Pat Hingle as the federal judge who hires him as a Deputy U.S. Marshal. Hang 'Em High was the first production of The Malpaso Company, Eastwood's production company. It was processed in DeLuxe Color. Hingle portrays a fictional judge who mirrors Judge Isaac C. Parker, labeled the "Hanging Judge" due to the large number of men he sentenced to be executed during his service in the late 1800s as District Judge of the United States District Court for the Western District of Arkansas. The film also depicts the dangers of serving as a Deputy U.S. Marshal during that period, as many federal marshals were killed while serving under Parker. The fictional Fort Grant, base for operations for that district judge seat, is also a mirror of the factual Fort Smith, Arkansas, where Judge Parker's court was located. In Oklahoma Territory in 1889, retired lawman Jed Cooper is surrounded by a posse of nine men: Captain Wilson, Reno, Miller, Jenkins, Stone, Maddow, Tommy, Loomis, and Charlie Blackfoot. They demand the receipt for the cattle Cooper is driving. The cattle seller is a robber who killed the rancher. Cooper explains that he knew nothing about the murder, but only Jenkins expresses doubts about his guilt. After Reno takes Cooper's horse and saddle and Miller takes his wallet, the men hang him from a tree and ride away.

On Christmas Eve, New York City Police Department (NYPD) Detective John McClane arrives in Los Angeles, hoping to reconcile with his estranged wife, Holly, at a party held by her employer, the Nakatomi Corporation. He is driven to Nakatomi Plaza by a limo driver, Argyle, who offers to wait for McClane in the garage. While McClane washes himself, the tower is seized by the German radical Hans Gruber and his heavily armed team, including Karl and Theo. Everyone in the tower is taken hostage except for McClane, who slips away, and Argyle, who remains oblivious to events. Gruber is posing as a terrorist to steal the $640 million in untraceable bearer bonds in the building's vault. He kills executive Joseph Takagi after failing to extract the access code from him and tasks Theo with breaking into the vault. The terrorists are alerted to McClane's presence, and Karl's brother, Tony, is sent after him. McClane kills Tony and takes his weapon and radio, which he uses to contact the skeptical Los Angeles Police Department (LAPD). Sergeant Al Powell is sent to investigate. Meanwhile, McClane kills more terrorists and recovers their bag of C-4 and detonators. Realizing Powell is about to leave, having found nothing amiss, McClane drops a terrorist's corpse onto his car. After Powell calls for backup, a SWAT team attempts to storm the building but is counterattacked by the terrorists. McClane throws some C-4 down an elevator shaft, causing an explosion that kills some of the terrorists and ends the counterattack. Holly's co-worker Harry Ellis attempts to negotiate on Gruber's behalf but is killed by Gruber when McClane refuses to surrender. While checking the explosives on the roof, Gruber encounters McClane and pretends to be an escaped hostage; McClane gives Gruber a gun. Gruber attempts to shoot McClane but finds the weapon is unloaded, and he is saved only by the intervention of other terrorists. McClane escapes but is injured by shattered glass and loses the detonators. Outside, Federal Bureau of Investigation (FBI) agents take control. They order the power to be shut off, which, as Gruber had anticipated, disables the final vault lock so his team can collect the bonds. The FBI agrees to Gruber's demand for a helicopter, intending to send helicopter gunships to eliminate the group. McClane realizes Gruber plans to blow the roof to kill the hostages and fake his team's deaths. Karl, enraged by Tony's death, attacks McClane and is seemingly killed. Gruber sees a news report by Richard Thornburg on McClane's children and deduces that he is Holly's husband. The hostages are taken to the roof while Gruber keeps Holly with him. McClane drives the hostages from the roof just before Gruber detonates it and destroys the approaching FBI helicopters. Meanwhile, Theo retrieves an escape vehicle from the parking garage but is knocked out by Argyle, who has been following events on the limo's CB radio. A weary and battered McClane finds Holly with Gruber and his remaining henchman. McClane surrenders to Gruber and is about to be shot but grabs his concealed service pistol taped to his back and uses his last two bullets to wound Gruber and kill his accomplice. Gruber crashes through a window but grabs onto Holly's wristwatch and makes a last-ditch attempt to kill the pair. McClane unclasps the watch, and Gruber falls to his death. Outside, Karl ambushes McClane and Holly but is shot dead by Powell. Holly punches Thornburg when he attempts to interview McClane. Argyle crashes through the parking garage door in the limo and drives McClane and Holly away together.

Cold Sweat is a 1970 French-Italian international co-production starring Charles Bronson and directed by Terence Young. It is based on the 1959 novel Ride the Nightmare by Richard Matheson. It was filmed in and around Beaulieu-sur-Mer. An American (Charles Bronson) living in France must face his past when his wife and daughter are kidnapped by former fellow convicts turned narco-dealers he once double-crossed. The film was known for an extended car chase with an Opel Commodore GS/E I6 involving the Bronson character's attempt to get a doctor to a wounded drug dealer in exchange for his wife.

Lady Gangster is a 1942 Warner Bros. B picture crime film directed by Robert Florey, credited as "Florian Roberts". It is based on the play Gangstress, or Women in Prison by Dorothy Mackaye, who in 1928, as #440960, served less than ten months of a one- to three-year sentence in San Quentin State Prison. Lady Gangster is a remake of the pre-Code film, Ladies They Talk About (1933). Jackie Gleason plays a supporting role. Plot Dorothy "Dot" Burton (Faye Emerson) is a member of a gang of v. Using her femininity and a cute dog provided her by her male cohorts, who dognapped him, she is able to enter a bank before opening time, leaving the door open and the bank guard holding her dog, thus enabling a successful robbery. When police interfere with the getaway, she faints and proclaims her innocence, but the police have strong doubts as "her" dog will not come to her and has a different name on his collar from what she calls him. After she confesses to her part in the robbery, she is sent to women's prison, where she makes an enemy of a fellow inmate who informs the governor that Burton knows where the bank's money is, thereby causing Burton to lose her parole. She is devastated by it but more trouble occurs as her old gang is going to kill her childhood sweetheart Ken Philips (Frank Wilcox), so she escapes by stealing the warden’s (Virginia Brissac) clothes and getting revenge on her rival inmate (Ruth Ford) before finally rescuing Ken. Cast Faye Emerson as Dorothy Drew Burton Julie Bishop as Myrtle Reed Frank Wilcox as Kenneth Phillips Roland Drew as Carey Wells Jackie Gleason as Wilson (as Jackie C. Gleason) Ruth Ford as Lucy Fenton Virginia Brissac as Mrs. Stoner Dorothy Vaughan as Matron Jenkins Dorothy Adams as Deaf Annie William Hopper as John (as DeWitt Hopper) Vera Lewis as Ma Silsby Herbert Rawlinson as Lewis Sinton Charles C. Wilson as Detective Frank Mayo as Walker Leah Baird as Matron Jack Mower as Police Sergeant

Valli was born Francesco Stephen Castelluccio on May 3, 1934 to an Italian family in the First Ward of Newark, New Jersey; he is the eldest of three sons. His father, Anthony Castelluccio, was a barber and display designer for Lionel model trains; his mother, Mary Rinaldi, was a homemaker and beer company employee. He was inspired to take up a singing career at age seven after his mother took him to see Frank Sinatra at the Paramount Theater in New York City. One of his early favorite singers was "Texas" Jean Valli, from whom he took his stage name. He worked as a barber until he could support himself with music. Valli's birth year has been called into question. He never addressed the issue himself until a 2007 posting at the Official Frankie Valli Site, sponsored by his record label Universal Records. Much of his previous official publicity used 1937 as his birth year. Other sources gave his year of birth as 1934, such as the Bear Family Records release The Four Lovers (BCD 15424) and a 1965 mug shot, available through The Smoking Gun. Music Career Valli began his singing career in 1951 with the Variety Trio (Nickie DeVito, Tommy DeVito, and Henry "Hank" Majewski), and was mentored in much of his early career by Nick Macioci, who later joined Valli in The Four Seasons, and by "Texas" Jean Valli, a female hillbilly singer, from whom he adopted the "Valli" surname. Geoff Herbert explains, "Frankie said in 2010 that Jean took him to meet music publishers Paul and Dave Kapp, telling them he was her brother. As a result, his first single was listed under 'Frankie Valley', and the name stuck—though he eventually changed it to the same spelling" that Texas Jean used. His desire to sing in public was initially granted when the group offered him a guest spot when they performed. In late 1952, the Variety Trio disbanded and Valli and Tommy DeVito became part of the house band at The Strand in New Brunswick, New Jersey. Valli played bass and sang.

All in the Family is an American sitcom television series that aired on CBS for nine seasons from January 12, 1971, to April 8, 1979, with a total of 205 episodes. It was later produced as Archie Bunker's Place, a continuation series, which picked up where All in the Family ended and ran for four seasons through April 4, 1983. Based on the British sitcom Till Death Us Do Part, All in the Family was produced by Norman Lear and Bud Yorkin. It starred Carroll O'Connor, Jean Stapleton, Sally Struthers, and Rob Reiner. The show revolves around the life of a working-class man and his family. It broke ground by introducing challenging and complex issues into mainstream network television comedy: racism, antisemitism, infidelity, homosexuality, women's liberation, rape, religion, miscarriages, abortion, breast cancer, the Vietnam War, menopause, and impotence. The series became arguably one of television's most influential comedic programs, as it injected the sitcom format with more dramatic moments and realistic, topical conflicts. All in the Family has been ranked as one of the best American television series. The show became the most watched show in the United States during the summer reruns of the first season, and topped the yearly Nielsen ratings from 1971 to 1976, the first television series to have held the position for five consecutive years. The episode "Sammy's Visit" was ranked number 13 on TV Guide's 100 Greatest Episodes of All Time. TV Guide's 50 Greatest TV Shows of All Time ranked All in the Family as number four. Bravo also named the show's protagonist, Archie Bunker, TV's greatest character of all time. In 2013, the Writers Guild of America ranked All in the Family the fourth-best written TV series. In 2023, Variety ranked All in the Family #16 on its list of the 100 greatest TV shows.

Bob Camardella Remembers "Frankie Valli The Four Seasons" STEREO Valli was born Francesco Stephen Castelluccio on May 3, 1934 to an Italian family in the First Ward of Newark, New Jersey; he is the eldest of three sons. His father, Anthony Castelluccio, was a barber and display designer for Lionel model trains; his mother, Mary Rinaldi, was a homemaker and beer company employee. He was inspired to take up a singing career at age seven after his mother took him to see Frank Sinatra at the Paramount Theater in New York City. One of his early favorite singers was "Texas" Jean Valli, from whom he took his stage name. He worked as a barber until he could support himself with music. Valli's birth year has been called into question. He never addressed the issue himself until a 2007 posting at the Official Frankie Valli Site, sponsored by his record label Universal Records. Much of his previous official publicity used 1937 as his birth year. Other sources gave his year of birth as 1934, such as the Bear Family Records release The Four Lovers (BCD 15424) and a 1965 mug shot, available through The Smoking Gun. Valli began his singing career in 1951 with the Variety Trio (Nickie DeVito, Tommy DeVito, and Henry "Hank" Majewski), and was mentored in much of his early career by Nick Macioci, who later joined Valli in The Four Seasons, and by "Texas" Jean Valli, a female hillbilly singer, from whom he adopted the "Valli" surname. Geoff Herbert explains, "Frankie said in 2010 that Jean took him to meet music publishers Paul and Dave Kapp, telling them he was her brother. As a result, his first single was listed under 'Frankie Valley', and the name stuck—though he eventually changed it to the same spelling" that Texas Jean used. His desire to sing in public was initially granted when the group offered him a guest spot when they performed. In late 1952, the Variety Trio disbanded and Valli and Tommy DeVito became part of the house band at The Strand in New Brunswick, New Jersey. Valli played bass and sang.

Shake Hands with the Devil is a 1959 British-Irish film produced and directed by Michael Anderson and starring James Cagney, Don Murray, Dana Wynter, Glynis Johns and Michael Redgrave. The film was written by Marian Spitzer based on the 1933 novel of the same title by Rearden Conner, the son of a Royal Irish Constabulary policeman. The film is set in 1921 Dublin, where the Irish Republican Army battles the Black and Tans, ex-British soldiers sent to suppress the rebels.

The Spiral Staircase is a 1946 American psychological horror film directed by Robert Siodmak and starring Dorothy McGuire, George Brent, and Ethel Barrymore. Set over the course of one evening, the film follows a mute young woman in an early-20th century Vermont town who is stalked and terrorized in a rural mansion by a serial killer targeting women with disabilities. Gordon Oliver, Rhonda Fleming, and Elsa Lanchester appear in supporting roles. It was adapted for the screen by Mel Dinelli from the novel Some Must Watch (1933) by Ethel Lina White. The project originated with producer David O. Selznick, who purchased the rights to White's novel, intending to cast Ingrid Bergman in the lead role. Selznick subsequently sold the rights to RKO Radio Pictures, who commenced production and cast McGuire in the lead. Filming took place at the RKO Radio Pictures studio lot in Los Angeles between August and October 1945. The Spiral Staircase premiered in New York City on February 6, 1946 and went on to become a box-office success, earning nearly $3 million. It was met by favorable critical reviews, praised for its cinematography, atmosphere, and suspense. Barrymore earned an Academy Award nomination for Best Supporting Actress for her performance in the film. In the years since its release, film scholars have noted The Spiral Staircase for its stylistic mixture of horror and film noir elements, and cited it as a progenitor of the contemporary slasher film.

INTRO: Bob Camardella Remembers The Twilight Time "Cat Women From The Moon" (1953) Cat-Women of the Moon is an independently made 1953 American black-and-white three-dimensional science-fiction film, produced by Jack Rabin and Al Zimbalist, directed by Arthur Hilton, that stars Sonny Tufts, Victor Jory, and Marie Windsor. The film was released by Astor Pictures. The musical score was composed by Academy Award–winner Elmer Bernstein, whose name is misspelled as "Bernstien" in the opening credits. Cat-Women of the Moon was remade in 1958 as Missile to the Moon. Plot Travelling in a spaceship equipped with wooden tables and chairs, a scientific expedition to the Moon encounters a race of cat-women, the last survivors of a two-million-year-old lunar civilization. Residing deep within a Moon cavern, the cat-women have managed to maintain not only the remnants of a breathable atmosphere and Earth-like gravity, but also a pair of gigantic Moon-spiders. The cat-women wear black unitards, have beehive hairstyles, and wear elaborate cosmetics. Realizing that their remaining atmosphere will soon be exhausted, the cat-women plan to steal the expedition's spaceship and return to Earth, where, in the words of the cat-women's leader, Alpha, "We will get their women under our power, and soon we will rule the whole world!" Through the use of their telepathic abilities, the cat-women have been subliminally controlling Helen Salinger, the mission navigator and only female member of the Earth expedition. Once on the Moon, the cat-women take control of Helen's mind, after which she leads the entire crew (clad in spacesuits and equipped with matches, cigarettes, and a gun) to the cat-women's cavern. Although unable to directly control male minds, the cat-women are able to influence the male crew through Helen, using their own superior intellectual abilities and feminine wiles. As explained to Helen by the cat-woman Beta, "Show us their weak points. We'll take care of the rest."

Gunsmoke "Paid Killer" (11-22-59) STEREO Gunsmoke is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. It centered on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. The radio series ran from 1952 to 1961. John Dunning wrote that, among radio drama enthusiasts, "Gunsmoke is routinely placed among the best shows of any kind and any time." It ran unsponsored for its first few years, with CBS funding its production. In 1955, the series was adapted for television and ran for 20 seasons. It ran for half-hour episodes from 1955 to 1961, and one-hour episodes from 1961 to 1975. A total of 635 episodes were aired over its 20 year run. At the end of its run in 1975, Los Angeles Times columnist Cecil Smith wrote: "Gunsmoke was the dramatization of the American epic legend of the west. Our own Iliad and Odyssey, created from standard elements of the dime novel and the pulp Western as romanticized by Buntline, Harte, and Twain. It was ever the stuff of legend." Five made-for-TV movies were produced after its 20-year run. The show won 15 Primetime Emmy Awards as well as other accolades. It was frequently well received, holding a top-10 spot in the Nielsen ratings for several seasons.

Johnny Come Lately is a 1943 drama film directed by William K. Howard starring James Cagney, Grace George, Marjorie Main and Hattie McDaniel. It was the first film produced by Cagney's brother, William Cagney. The title is derived from the idiom "Johnny Come Lately", which refers to a newcomer who seeks to change an established system.[3] The film centers on a drifter who comes to a new town and is faced with the question of choosing integrity or financial gain. Plot In 1906, Tom Richards, a drifter, arrives in the small town of Plattsville. He sits reading a book in the town square when newspaper proprietor Vinnie McLeod speaks to him and offers him help. She goes to meet wealthy mayor Dougherty, a corrupt man who also owns a rival newspaper. Mrs. McLeod re-encounters Richards in the town courtroom where he is on trial for vagrancy. She offers him a job as a journalist to allow him to escape imprisonment. He starts to shake the place up, and asks to close the paper (the Shield and Banner) for 3 days to redesign and relaunch it, specifically launching an attack on Dougherty. Meanwhile Dougherty's son is in love with Mrs. McLeod's niece. Dougherty offers Richards a job paying three times more but he declines due to his morals. Dougherty goes to extreme measures and sends two hired guns to shoot Mrs. McLeod. They hit her in the hand. Richards (who pre-empted the attack and has a gun) chases them off, shooting one. Mrs. McLeod's niece starts to fall in love with Richards but decides it is young Dougherty she loves. An eccentric rich woman, nicknamed "Gashouse Mary" (clearly modelled on Mae West) gives funds usually channeled through Dougherty to the orphanage to Richards instead. When she taunts Dougherty she ends up in prison on a bail of $1,500. Dougherty starts to bend when the entire town parades by holding an effigy of him on a gibbet. Richards and Dougherty Jr. start brawling in the street and Richards is arrested and taken off in a horse-drawn black maria. The townsfolk storm the jail and release him. In the end Dougherty senior meets with Mrs. McLeod and Richards and agrees to leave town for the sake of his son and her niece. All agree. He also gives back Mrs. McLeod the mortgage on her property. Richards too decides to move on. Cast James Cagney as Tom Richards Grace George as Vinnie McLeod (as Miss Grace George) Marjorie Main as Gashouse Mary Marjorie Lord as Jane Hattie McDaniel as Aida, Mrs McLeod's servant Edward McNamara as W.M. Dougherty William Henry as Pete Dougherty (as Bill Henry) Robert Barrat as Bill Swain George Cleveland as Willie Ferguson, a kindly drunkard working for McLeod Margaret Hamilton as Myrtle Ferguson, McLeod's receptionist Norman Willis as Dudley Hirsh Lucien Littlefield as Blaker Edwin Stanley as Winterbottom Irving Bacon as Chief of Police Tom Dugan as First Cop Charles Irwin as Second Cop John Sheehan as Third Cop Clarence Muse as Butler John Skins Miller as First Tramp (as John Miller) Arthur Hunnicutt as Second Tramp Victor Kilian as Tramp in Box Car Wee Willie Davis as Bouncer (as Wee Willie Davis) Joseph Crehan as Judge Flynn (uncredited) Harry Tenbrook as Saloon Patron (uncredited)

Bob Camardella Remembers Mickey Mantle Mickey Charles Mantle (October 20, 1931 – August 13, 1995), nicknamed "the Mick" and "the Commerce Comet", was an American professional baseball player who played his entire Major League Baseball (MLB) career (1951–1968) with the New York Yankees, primarily as a center fielder. Mantle is regarded by many as being one of the best players and sluggers of all time. He was an American League (AL) Most Valuable Player three times and was inducted into the Baseball Hall of Fame in 1974.\ Born in Spavinaw, Oklahoma, Mantle was raised by his father to become a baseball player and was trained early on to become a switch hitter. Despite a career plagued with injuries, beginning with his knee injury in the 1951 World Series, he became one of the greatest offensive threats in baseball history, and was able to hit for both average and power. He is the only player to hit 150 home runs from both sides of the plate. Mantle hit 536 career home runs while batting .300 or more ten times; he is 16th all-time in home runs per at-bat and 17th in on-base percentage. Mantle won the Triple Crown in 1956, when he led the major leagues in batting average (.353), home runs (52), and runs batted in (RBI) (130). He was an All-Star for 16 seasons, playing in 16 of the 20 All-Star Games that he was selected for. He also had a solid .984 fielding percentage when playing center field, winning a Gold Glove in that position. He appeared in 12 World Series, winning seven championships, and holds World Series records for the most home runs (18), RBIs (40), extra-base hits (26), runs (42), walks (43), and total bases (123), and he has the highest World Series on-base and slugging percentages. After retirement, Mantle worked as sports commentator for NBC for a few years and had a brief stint as first base and hitting coach for the Yankees in the 1970 season. Despite being one of the best paid athletes of his era, he was a poor businessman and suffered financial setbacks from business failures. His private life was plagued by tumult and tragedy. His marriage fell apart due to his alcoholism and infidelity, and three of his sons became alcoholics, two of them dying from it. Towards the end of his life, Mantle came to regret his hard lifestyle and the damage he had inflicted on his family. Before his final year, he was treated for alcoholism and became sober, afterwards warning others of the dangers of hard drinking. He died from liver cancer brought on by years of alcohol abuse in Dallas, Texas, aged 63.